Tales of the Holy Grail
This ‘Beyond Belief’ segment from ‘Hannity’s America’ looks at the many myths and legends surrounding the Holy Grail, from it’s association as the cup of Jesus Christ used at the Last Supper, to the medieval Arthurian romances, and the most recent debate originating from ‘The DaVinci Code.’ Fox News contributor and religion analyst Father Jonathan Morris also offers insight on this mysterious, mystical relic.
This short story on the Holy Grail is very good and it as very good information on the believes of Jesus Christ and its a great information thanks for sharing this story.
We should also remember that, sacramentally, the chalice contains, from the moment the priest says the words of consecration, Christ’s Precious Blood. So the story of the Grail catching His blood on Calvary is a reference to what every chalice in every church on Earth does during the Mass, in which Calvary is represented to us.
That may very well be true of the chalice in Valencia Spain, and any such Grail that was brought to England (if Joseph of Aramathea indeed went there). The mass, in its earliest form, would have been said wherever Christians assembled.
I thought people might be interested in the research I’ve just done into the Da Vinci Code and Rosslyn Chapel in particular:
ROSSLYN CHAPEL REVEALED (Sutton Publishing Ltd)
• Hardcover: 256 pages
• Publisher: Sutton Publishing Ltd (1 November 2007)
• Language English
• Price £17.99
• ISBN-10: 0750944676
• ISBN-13: 978-0750944670
‘Rosslyn Chapel Revealed’ is unique in exploring the landscape of Midlothian in depth — the geology, the flora and fauna, illustrated by fascinating antique maps. It was this landscape that supplied the pink, yellow and grey stone for Rosslyn Chapel, cut from the ancient wildernesses of Roslin Glen.
‘Rosslyn Chapel Revealed’ explains in detail what few have done before — the daily life of the priests and choirboys at Rosslyn Chapel, one of 40 collegiate churches set up as powerhouses of prayer and song — some of the music still happily preserved in major libraries across Europe.
‘Rosslyn Chapel Revealed’ makes clear the central role of the Scots scholar Fr Richard Augustine Hay, related to the Sinclair by marriage, and involved in the strange but brief years around 1688 when King James VII set up a Roman Catholic Chapel Royal at Holyrood, a printing-press and a school and Fr Hay took part in the services.
‘Rosslyn Chapel Revealed’ explores the landscape of Midlothian from Temple village (home of glass artist and clarsach player Alison Kinnaird and folk musician Robin Morton, and once home to painter Sir William Gillies and author George Scott-Moncrieff), to Soutra Aisle and the unique ecumenical community of the Transfiguration.
‘Rosslyn Chapel Revealed’ uncovers the role of Sir Walter Scott in increasing the Chapel’s reputation for mystery and the ways in which successive poets, painters and photographers celebrated the extraordinary design of the Chapel.
‘Rosslyn Chapel Revealed’ ends with a new mystery, a challenge to its readers to uncover the truth behind an act of sacrilege committed in the Chapel in the 1470s, the answer to which lies in the Secret Vatican Archives in Rome.
Among the myths ‘Rosslyn Chapel Revealed’ lays to rest are:
• The Apprentice Pillar (also known as the ‘Prince’s Pillar) is a story found at a number of other medieval churches in Britain and the Continent. Interviews with 3 working stonemasons and an apprentice mason (at St Mary’s Episcopal Cathedral Workshop, Edinburgh) show that no apprentice would have the skill to carve such a pillar that would take a year to complete
• Knights Templar the Sinclair family were Crusaders (fighting to free the Holy Land). Templars had to swear vows of poverty, chastity and obedience. The Sinclairs were married, well-to-do and vowed allegiance only to the King.
• American Corn two academic botanists with PhDs are quoted as finding no evidence of any specific botanical specimen in the decoration of the Chapel, apart, perhaps, from Hart’s Tongue Fern, an ancient plant that still grows in Roslin Glen.
• Freemasons Freemasonic images were added to the Chapel in the 1860s when the Fourth Earl of Rosslyn, Grand Master Mason of Scotland, commissioned the architect David Bryce to ‘restore’ the Chapel. He took out a number of damaged stone ‘bosses’ in the Lady Chapel and replaced them with new, quasi-masonic carvings
• The Red Light-Box photographs by Hill & Adamson show that the medieval tracery of the East Window was entirely different to that in the window today. New stone tracery and stained glass were inserted in the 1860s, including the triangle of red glass said to be a ‘light-box.’
All these facets of Rosslyn Chapel are profusely illustrated with some 30 colour photographs and 200 black and white images, as well as a copious footnotes substantiating all the evidence provided in the book, a detailed index and a contact list of useful organisations.